Apr 26, 2011

Graduate Show...June 3rd @ IADT






Keeping Up Appearances visually chronicles the lives of young women based in the rural-midlands. The work seeks to document the ways in which they choose to express themselves, both individually and collectively, in an increasingly futile economy that currently specialises in the exportation of the young. In spite of this, an unspoken tenacity remains in their social desires and their personal aspirations. A deep rooted relationship also exists with their often banal and temporally fragmented rural existence, contrasting sharply with the exuberant cosmopolitan lifestyles that emanate from popular-culture. The work ultimately seeks to pay tribute to the ways in which these young women ‘colour in’ their lives regardless of the limitations that are socially and culturally presupposed for them. 




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Apr 14, 2011

Michael Grieve - No Love Lost






NO LOVE LOST

I am in love’s wrong place, which is its dazzling place: “The darkest place, according to a Chinese proverb, is always underneath the lamp.” (Reik)

Roland Barthes, A Lovers Discourse, 1977.


No Love Lost is a visual project that inhabits heightened sexual environments in contemporary England. People featured are active in the increasingly entwined and performative worlds of pornography, prostitution and stripping. What they share is a measured psychological engagement with strangers in close proximity that is a purely physical and sexual union lacking in affection. Fantasy is played out within the frame of constraints and closeness is kept at a distance. Menace is always present, control is often threatened. These are emotionally charged settings, both plastic and primitive, where the ‘stuff’ of life is all too present.

No Love Lost is a body of work about intimacy and dislocation in a theatre of sexual commodity. These are real fictional encounters that convey a sense of the difficulties of meaningful human connection in spiritually vacant environments.

‘With its melancholic overtones and purposeful imprecisions, No Love Lost certainly possesses a strange and uneasy beauty, but also through its allusions to atmosphere over action, it raises innumerable questions about how we relate to one another- physically, sexually, socially and photographically – transforming such beauty into something much more primal and profound’. 

Aaron Schuman, British Journal of Photography.






















Images and Text from www.michaelgrieve.co.uk


Images © Michael Grieve